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Something that can’t be identified with any type of visible emotional reaction. Something that is still quite nonvisual. Which makes very clear that Fanny Giraut’s face lacks the internal structure necessary for making an expression.

Yanel left his jacket in the coat check. Five minutes later, Aníbal Manta parks the Jaguar in the client parking lot of the roadside bar named Judas. The building that houses Judas is a block of cement similar to a warehouse, with a neon sign on the roof and surrounded by withered palm trees. With an exaggeratedly well-lit main entrance that’s protected by a couple of security guards with headphone intercoms. This afternoon it is not Mr. Bocanegra at the wheel of his brand-new convertible Jaguar, which now turns the corner of Pelayo and Ramblas and heads down the Ramblas. With his wrist resting on the open window and his enormous hand hanging outside the vehicle.

The figure wrapped in bloody bandages doesn’t laugh, either. It just looks at Lucas out of the corner of his eye. Bocanegra stares at Lorenzo Giraut with a theatrical expression of shock. The cruel smile that Lucas knows so well in the real-life Bocanegra is already there in the face of the Bocanegra in the dream. “It’s like that story about the butterfly that flutters its wings in China,” says Koldo Cruz.

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“Are you sure you wouldn’t be more comfortable in another chair? ” Giraut fondles his bouquet of flowers absently. Fondling the lapel of his dressing gown thoughtfully. Squinting his eyes in a vague defense against the light coming in from the palace’s staircase.

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The scene has little in common with a mad scientist’s laboratory on a night of creations that defy divine will. And nonetheless, there is something in the fine plaster dust that falls from the ceiling and in the scene lit by lightning that is powerfully reminiscent of a mad scientist’s laboratory. The police car sirens can now be heard perfectly from the hotel suite.

As the educational panels at the entrance explain, the main rink surrounded by stands replicates the gravitational conditions of space travel. The conditions universally known as Zero Gravity. For the littlest ones and the less brave there is the option of floating holding on to one of the monitors’ hands. Iris walks up to the security railing around the Zero Gravity rink and stares at the groups of people floating. Many of them do pirouettes and prance around in slow motion.

Now he turns a corner, looks over his shoulder to make sure that no one is watching, and opens the door to one of the private rooms where the female employees take their breaks. The intern goes down the stairs that lead from Lucas Giraut’s office on the mezzanine to the antique store itself. Giraut looks at the monitor again, sprawled out in his office chair in that rigid way of his. The office that Lucas Giraut now occupies, and which used to be his father’s, has one side that overlooks the public sales and showroom. The only furnishing element that has arrived since Lorenzo Giraut’s death is the Italian Louis XV — style cartonnier that Lucas uses as his desk. According to most professional opinions, Giraut is the most important collector of magic desks in the country.

Giraut stands up on the bed and works the vent above it until it comes loose. He places it carefully on the bed and sticks his arm through the ventilation shaft. In that way that people look out into the distance when they are blindly feeling around in something whose inside they can’t see. Finally he pulls something out of the hole.

Lucas Giraut has never heard of anyone named Commissioner Farina. Not in relation to his father or his father’s arrest. The silence that has fallen over the Meeting Room allows the amalgam of female laughter and dance music to filter through from the Main Floor of The Dark Side of the Moon.

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The only thing that actually allows one to perceive that he’s lounging is a certain barely discernible relaxation of the muscles in his face. Or, in extreme cases, the crossing of his legs at thigh height. More shouts are heard, from the policemen https://datingranking.org/spoil-review/ ordering the man who is climbing down the fire escape to stop. The half dozen police cars are stopped in front of the Hotel in the Sands in semicircular police position. With the lights flashing and the spotlights sweeping the façade of the hotel.

Someone comments that after all, in the end, the Crooked Cops’ Party only really needs one observation tower. Saudade grabs on to the scaffolding-like structure with one hand and starts frantically patting down his pockets with the other. Pavel catches himself looking at the painting of the Temple of Jerusalem again. He finds it hard to believe that it’s the same temple that took centuries and entire armies to destroy. In Pavel’s opinion, any idiot with a ladder and a bomb could blow it to bits with no problem.

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He takes a drag on his inhaler and looks at Iris Gonzalvo out of the corner of his eye. “Listen,” says Saudade, in that overly obsequious tone you use when you want to be extremely careful not to piss off the person you’re talking to. “I know this is the typical thing I would say if I really was Giraut and wanted to convince you that I’m not,” he starts to say, with a nervous smile. Staring at Leon’s bullet-shaped face, which is staring at him while aiming at his face. Meanwhile, the mirror ball keeps turning in the middle of the room.

Which was, in essence, an expression of terror. And somehow that terror seemed to be connected to the fact that he was standing in front of the large window. Somehow the terror seemed to derive from the large window itself. Standing in front of the large window with his glass of Macallan in one hand and his cigarette in the other, Lorenzo Giraut’s face was a grimace of intense, painful terror.

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